| HELLO MUDDAH, HELLO FADDUHISWC T-902.836.666-7 |
| CAMP GRANADAISWC T-916.283.996-5 |
| CHIM CHIM CHEREE (PARODY VERSION) |
| YOU WENT THE WRONG WAY OLD KING LOUIEISWC T-913.447.289-2 |
| ME, TOO |
| ONE HIPPOPOTAMI (IS TWO HIPPOPOTAMUS)-ISWC T-928.485.622-0 |
| GLORY GLORY HARRY LEWIS |
| CAMP GRANADA (HELLO MUDDER, HELLO FADDER, HERE I AM AT CAMP |
| SOMEWHERE |
| TWELVE GIFTS OF CHRISTMASISWC T-071.432.677-8 |
| ONE HIPPOPOTAMI (IS TWO HIPPOPOTAMUS)- THE HIPPOPOTAMUS SONG |
| RAT FINK (RATTFINK RATFINK)ISWC T-929.604.179-7 |
| HARVEY AND SHEILA (HAVA NAGILA) (LIVE AT THE HOLLYWOOD BOWL)ISWC T-922.499.387-7 |
| HELLO MOTHER, HELLO FATHERISWC T-916.283.993-2 |
| CALL MEISWC T-916.507.878-4 |
| MEXICAN HAT DANCE |
| SOMEWHERE OVERWEIGHT PEOPLE (SOMEWHERE OVER THE RAINBOW)ISWC T-929.604.182-2 |
| I SEE BONES (THE X-RAY SONG)ISWC T-929.604.172-0 |
| CHIM CHIM CHEREEISWC T-929.607.344-4 |
| MONONUCLEOSIS IS THE KISSING DISEASE (VIRUS) |
| I CAN'T DANCE |
| NO ONE'S PERFECT |
| POP HATES THE BEATLES |
| THERE IS NOTHING LIKE A LOXISWC T-916.507.940-3 |
| AUTOMATION (LIVE AT THE HOLLYWOOD BOWL)ISWC T-922.499.384-4 |
| MEXICAN HAT DANCE |
| MY ZELDAISWC T-909.127.966-2 |
| SKIN (YOU GOTTA HAVE SKIN)ISWC T-909.121.716-2 |
| HAIL TO THEE FAT PERSON |
| I WAS NEVER A NAZI (AND I NEVER KNEW ADOLF HITLER)ISWC T-917.180.193-7 |
| YOU'RE GETTING TO BE A RABBIT WITH MEISWC T-916.507.950-5 |
| ME |
| AVE VERUM CORPUS |
| BRIGHT AND SHINY |
| HE'S TALL DARK AND HANDSOME |
| HELLO MOTHER HELLO FATHER, I AM BACK AT CAMP GRANADA (BONUS) |
| SARAH JACKMAN |
| RATT FINKISWC T-916.507.912-9 |
| AUTOMATION |
| I PAID FOR THE LIE THAT I TOLD YOU |
| JUMP DOWN, SPIN AROUND (PICK A DRESS O' COTTON) |
| SEX IS BETTER (THE SEXUAL REVOLUTION SONG) |
| HOW DEEP IS A BIRDBATH (A.K.A. HOW DEEP IS THE OCEAN)ISWC T-917.180.191-5 |
| HEADACHESISWC T-916.507.896-6 |
| CAT, HAT (HE'S A CAT IN A HAT) |
| DOWNTOWN |
| HELLO MUDDAH HELLO FADDAH |
| LET'S ALL CALL UP AT&T AND PROTEST TO THE PRESIDENT MARCH |
| PEYTON PLACE USA, MY KIND OF TOWN |
| OH BOY (THE HAND CLAPPING SONG)ISWC T-929.604.170-8 |
| CRAZY DOWNTOWNISWC T-916.507.882-0 |
| WHEN YOU WALK THROUGH THE BRONXISWC T-916.507.947-0 |
| CURSE OF THE PHAROHSISWC T-071.181.011-5 |
| SHTICKS AND STONESISWC T-909.121.717-3 |
| YOU GOT TO HAVE SKINISWC T-916.720.646-4 |
| HUNGARIAN GOULASH NO. 5 |
| SELTZER BOYISWC T-909.277.102-3 |
| TWELVE DAYS OF CHRISTMAS (12 DAYS OF XMAS) |
| GIMME A CAUSE (GIVE ME A CAUSE)ISWC T-917.180.190-4 |
| I SEE BONESISWC T-913.463.496-1 |
| WON T YOU COME HOME DISRAELI (LIVE AT THE HOLLYWOOD BOWL)ISWC T-922.499.399-1 |
| EIGHT FOOT TWO, SOLID BLUE, HAS ANYBODY SEEN MY MARTIAN GALISWC T-929.604.174-2 |
| 12 DAYS OF CHRISTMAS (TWELVE GIFTS OF CHRISTMAS)ISWC T-929.604.175-3 |
| SHTICKSISWC T-916.720.645-3 |
| THE REBEL |
| HARVEY AND SHEILAISWC T-902.891.036-3 |
| SAM YOU MADE THE PANTS TOO LONGISWC T-916.507.914-1 |
| ONE HIPPOPOTAMI |
| TOGETHERNESS |
| THE PAINLESS DENTIST SONGISWC T-916.507.932-3 |
| THE BALLAD OF HARRY LEWIS |
| THE STREETS OF MIAMI |
| CALCULATUS ELIMINATUS |
| DUM DUM |
| NIGHT AND DAY (WITH PUNCTUATION MARKS) |
| LET'S DANCE (MAKE YOUR BODY MOVE) |
| THE GIRL FROM NYMPHOMANIA (A.K.A. THE NYMPHOMANIAC FROM IPAN |
| OLD KING LOUIEISWC T-916.720.642-0 |
| SIGNSISWC T-070.140.364-6 |
| GIRL FROM NYMPHOMANIAISWC T-301.655.233-9 |
| HUNGARIAN GOULASH NO. 5 (HUNGARIAN GOULASH NUMBER FIVE)ISWC T-929.604.171-9 |
| FUNNY LETTERS FROM CAMP |
| SHTICKS AND STONES |
| PILLSISWC T-916.507.909-4 |
| SARAH JACKMAN, SARA JOCKMANISWC T-929.604.168-4 |
| SECRET CODEISWC T-916.507.916-3 |
| GOOD ADVICE |
| HERE'S TO THE CRABGRASS |
| NOTHING, NOTHING, NOTHING, NOTHING TO BE DONE |
| WHEN I WAS A LAD |
| LIGHT ONE CANDLE |
| THE LAARGE DAARK AARDVARK SONG |
| RETURN TO CAMP GRANADAISWC T-916.720.643-1 |
| HAIL TO THEE, FAT PERSON! (HOW I GOT FAT) (LIVE AT THE HOLLYISWC T-922.499.386-6 |
| HARVEY AND SHELIA (HAVA NAGILA)ISWC T-929.604.183-3 |
| LOTSA LUCK PAL, LOTS OF LUCK |
| POP HATES THE BEATLES |
| SHAKE HANDS WITH YOUR UNCLE MAX |
| DOWN THE DRAIN |
| I'M EXTREMELY GLAD TO BE HERE |